[8724/X044] Hibátlan állapotú gyönyörű halvány krémszínű jelzett virágdíszes barokkos szögletes asztalközép kínáló tál. Alján zöld koronás márkajelzés: ROSENTHAL SELB-GERMANY SANSSOUCI formaszám:3396 5 Magasság: 7 cm Szélesség: 27.5 cm Hosszúság: 27.5 cm Súly: 0.994 kg

[8479/UZ-K] Régi jelzett német hibátlan állapotú porcelán birkózó medve bocs szobor. A medve talpán zöld színű koronás márkajelzés: ROSENTHAL GERMANY KUNSTABTEILUNG SELB Jelzés mélynyomással lásd fotó. Formaszám: 1593 Magasság: 14.5 cm Szélesség: 17 cm Hosszúság: 21 cm Súly: 0.942 kg

[0C709/UZ-N] Nagyon szép, ritka mintázatú vajtartó, plasztikus szőlőlevél mintázattal, a teljes test egy méhkaptárt formáz rajta több plasztikus méhecskével. A vajtartó tányérján körben és a tető fogantyúja profi restaurátor által javított. Alján jelzés: WS & S Wilhelm Schiller & Son Formaszám: 16 Magasság: 12 cm Súly: 1.06 kg

[1T504/Z040] Régi, hibátlan állapotú, talapzaton álló, szépen kidolgozott porcelán bohóc figura. Ritkán előforduló darab. Alján zöld koronás márkajelzés: ROSENTHAL SELB - BAVARIA Talapzaton formatervező neve: FRED. LIEBERMANN (Ferdinand Liebermann - Sculptor - szobrász, a Rosenthal legfontosabb, legnevesebb tervezője) Magasság: 15 cm Szélesség: 11.5 cm Súly: 0.205 kg   Ferdinand Liebermann Ferdinand Liebermann (1883–1941), the son of a toy manufacturer, was a German sculptor. He studied at the Munich School of Arts and Crafts and the Art Academy. After taking study trips to Rome and Paris, he opened a studio in 1910 in Munich. In the same year he received the Great Austrian Golden State Medal for a small bronze sculpture. Several exhibitions followed. He became one of the most important designers for the porcelain manufacturer Rosenthal AG. Liebermann’s work-spectrum encompasses bronze sculpturing, monumental sculpturing and memorials. In 1926 he received the professor title for monumental and portrait sculpturing in Munich.  After 1933, Liebermann  produced at the orders of the Nazi party 32 busts of Hitler (all 1½ life size), one of which was a commission from the city of Munich for the city hall. In appreciation he was made city councillor of the Capital of the Movement, the 'Haupstadt der Bewegung'. Liebermanns Führerbust was displayed at the XIX Venice Biennale 1934 ('Cancelliere del Reich Adolf Hitler') and also at the GDKs of 1937, 1938 and in the Münchener Kunstausttellungen 1934, 1940 and 1941. It is said that the busts designed by Liebermann were favoured by the German leader over all the others.  His sculpture 'L'Abbandoro' ('Abandoned') was displayed at the XIV Biennale 1924 in Venice; ‘Erhebung’ (‘Elevatione’ or ‘Elevation’) was displayed at the XIX Venice Biennale 1934 and later again at the GDK 1937, room 9. In 1938 his bronze ‘Abwehr’ (‘Defence’ or 'Ripulso') was displayed at the XXI Venice Biennale. Liebermann also completed a bronze bust of Hitler's half-niece Geli Raubal, who had shot herself in Hitler’s apartment in 1931. From this bust Hitler had numerous copies made for display in his residences.  At the Great German Art Exhibitions Ferdinand Liebermann was represented with 16 works, among them the two Hitler busts, the relief 'Wille’ (design for the Freikorps-monument), a bust of Riechsleiter Alfred Rosenberg, Reichsleiter Amann and two 'Kampf' sculptures.  In 1941, the year of his death, he created the massive sculpture for the  Freikorpsdenkmal in Munich. In the possession of the Bayerische Staatsgemäldesammlungen are the following works: 'Eva' (GDK 1939 room 35), 'Abwehr', 'In Erwartung', Frisches Lachen', 'Paolo', 'Rhythmus' and 'Knabe auf einem Waller reitend'. A copy of 'Eva' in bronze (72 cm high) was displayed at the exhibition ‘Kunst im 3. Reich, Dokumente der Unterwerfung’; the exhibition, instigated by the Frankfurter Kunstverein, was held from 1974 to 1975 in Frankfurt, Hamburg, Stuttgart, Ludwigshafen and Wuppertal.Ferdinand Liebermann: Ferdinand Liebermann: (1883–1941), the son of a toy manufacturer, was a German sculptor. He studied at the Munich School of Arts and Crafts and the Art Academy. After taking study trips to Rome and Paris, he opened a studio in 1910 in Munich. In the same year he received the Great Austrian Golden State Medal for a small bronze sculpture. Several exhibitions followed.r He became one of the most important designers for the porcelain manufacturer Rosenthal AG. Liebermann’s work-spectrum encompasses bronze sculpturing, monumental sculpturing and memorials. In 1926 he received the professor title for monumental and portrait sculpturing in Munich.  After 1933, Liebermann  produced at the orders of the Nazi party 32 busts of Hitler (all 1½ life size), one of which was a commission from the city of Munich for the city hall. In appreciation he was made city councillor of the Capital of the Movement, the 'Haupstadt der Bewegung'. Liebermanns Führerbust was displayed at the XIX Venice Biennale 1934 ('Cancelliere del Reich Adolf Hitler') and also at the GDKs of 1937, 1938 and in the Münchener Kunstausttellungen 1934, 1940 and 1941. It is said that the busts designed by Liebermann were favoured by the German leader over all the others.  His sculpture 'L'Abbandoro' ('Abandoned') was displayed at the XIV Biennale 1924 in Venice; ‘Erhebung’ (‘Elevatione’ or ‘Elevation’) was displayed at the XIX Venice Biennale 1934 and later again at the GDK 1937, room 9. In 1938 his bronze ‘Abwehr’ (‘Defence’ or 'Ripulso') was displayed at the XXI Venice Biennale. Liebermann also completed a bronze bust of Hitler's half-niece Geli Raubal, who had shot herself in Hitler’s apartment in 1931. From this bust Hitler had numerous copies made for display in his residences.  At the Great German Art Exhibitions Ferdinand Liebermann was represented with 16 works, among them the two Hitler busts, the relief 'Wille’ (design for the Freikorps-monument), a bust of Riechsleiter Alfred Rosenberg, Reichsleiter Amann and two 'Kampf' sculptures.  In 1941, the year of his death, he created the massive sculpture for the  Freikorpsdenkmal in Munich. In the possession of the Bayerische Staatsgemäldesammlungen are the following works: 'Eva' (GDK 1939 room 35), 'Abwehr', 'In Erwartung', Frisches Lachen', 'Paolo', 'Rhythmus' and 'Knabe auf einem Waller reitend'. A copy of 'Eva' in bronze (72 cm high) was displayed at the exhibition ‘Kunst im 3. Reich, Dokumente der Unterwerfung’; the exhibition, instigated by the Frankfurter Kunstverein, was held from 1974 to 1975 in Frankfurt, Hamburg, Stuttgart, Ludwigshafen and Wuppertal.

[0D143/UZ-K] Hibátlan állapotú, talapzaton álló, jelzett régi szépen kidolgozott porcelán kacsa. Alján zöld koronás márkajelzés: ROSENTHAL GERMANY KUNSTABTEILUNG SELB Formatervező neve a talapzat oldalán: K. HIMMELSTOSS Formaszám: 177 Magasság: 6 cm Súly: 0.086 kg

[1O388/X251] Hibátlan állapotú, gyönyörű, vajszínű áttört díszes aranyozott, jelzett porcelán dísztál, asztalközép kínáló tál. Közepén virágokkal díszített. Alján zöld koronás márkajelzés: ELFENBEIN R.C. ROSENTHAL KRONACH GERMANY MOLIÉRE Formaszám arannyal: 2566 55 Magasság: 5.5 cm Szélesség: 19.5 cm Súly: 0.375 kg