[1T504/Z040] Régi, hibátlan állapotú, talapzaton álló, szépen kidolgozott porcelán bohóc figura. Ritkán előforduló darab. Alján zöld koronás márkajelzés: ROSENTHAL SELB - BAVARIA Talapzaton formatervező neve: FRED. LIEBERMANN (Ferdinand Liebermann - Sculptor - szobrász, a Rosenthal legfontosabb, legnevesebb tervezője) Magasság: 15 cm Szélesség: 11.5 cm Súly: 0.205 kg   Ferdinand Liebermann Ferdinand Liebermann (1883–1941), the son of a toy manufacturer, was a German sculptor. He studied at the Munich School of Arts and Crafts and the Art Academy. After taking study trips to Rome and Paris, he opened a studio in 1910 in Munich. In the same year he received the Great Austrian Golden State Medal for a small bronze sculpture. Several exhibitions followed. He became one of the most important designers for the porcelain manufacturer Rosenthal AG. Liebermann’s work-spectrum encompasses bronze sculpturing, monumental sculpturing and memorials. In 1926 he received the professor title for monumental and portrait sculpturing in Munich.  After 1933, Liebermann  produced at the orders of the Nazi party 32 busts of Hitler (all 1½ life size), one of which was a commission from the city of Munich for the city hall. In appreciation he was made city councillor of the Capital of the Movement, the 'Haupstadt der Bewegung'. Liebermanns Führerbust was displayed at the XIX Venice Biennale 1934 ('Cancelliere del Reich Adolf Hitler') and also at the GDKs of 1937, 1938 and in the Münchener Kunstausttellungen 1934, 1940 and 1941. It is said that the busts designed by Liebermann were favoured by the German leader over all the others.  His sculpture 'L'Abbandoro' ('Abandoned') was displayed at the XIV Biennale 1924 in Venice; ‘Erhebung’ (‘Elevatione’ or ‘Elevation’) was displayed at the XIX Venice Biennale 1934 and later again at the GDK 1937, room 9. In 1938 his bronze ‘Abwehr’ (‘Defence’ or 'Ripulso') was displayed at the XXI Venice Biennale. Liebermann also completed a bronze bust of Hitler's half-niece Geli Raubal, who had shot herself in Hitler’s apartment in 1931. From this bust Hitler had numerous copies made for display in his residences.  At the Great German Art Exhibitions Ferdinand Liebermann was represented with 16 works, among them the two Hitler busts, the relief 'Wille’ (design for the Freikorps-monument), a bust of Riechsleiter Alfred Rosenberg, Reichsleiter Amann and two 'Kampf' sculptures.  In 1941, the year of his death, he created the massive sculpture for the  Freikorpsdenkmal in Munich. In the possession of the Bayerische Staatsgemäldesammlungen are the following works: 'Eva' (GDK 1939 room 35), 'Abwehr', 'In Erwartung', Frisches Lachen', 'Paolo', 'Rhythmus' and 'Knabe auf einem Waller reitend'. A copy of 'Eva' in bronze (72 cm high) was displayed at the exhibition ‘Kunst im 3. Reich, Dokumente der Unterwerfung’; the exhibition, instigated by the Frankfurter Kunstverein, was held from 1974 to 1975 in Frankfurt, Hamburg, Stuttgart, Ludwigshafen and Wuppertal.Ferdinand Liebermann: Ferdinand Liebermann: (1883–1941), the son of a toy manufacturer, was a German sculptor. He studied at the Munich School of Arts and Crafts and the Art Academy. After taking study trips to Rome and Paris, he opened a studio in 1910 in Munich. In the same year he received the Great Austrian Golden State Medal for a small bronze sculpture. Several exhibitions followed.r He became one of the most important designers for the porcelain manufacturer Rosenthal AG. Liebermann’s work-spectrum encompasses bronze sculpturing, monumental sculpturing and memorials. In 1926 he received the professor title for monumental and portrait sculpturing in Munich.  After 1933, Liebermann  produced at the orders of the Nazi party 32 busts of Hitler (all 1½ life size), one of which was a commission from the city of Munich for the city hall. In appreciation he was made city councillor of the Capital of the Movement, the 'Haupstadt der Bewegung'. Liebermanns Führerbust was displayed at the XIX Venice Biennale 1934 ('Cancelliere del Reich Adolf Hitler') and also at the GDKs of 1937, 1938 and in the Münchener Kunstausttellungen 1934, 1940 and 1941. It is said that the busts designed by Liebermann were favoured by the German leader over all the others.  His sculpture 'L'Abbandoro' ('Abandoned') was displayed at the XIV Biennale 1924 in Venice; ‘Erhebung’ (‘Elevatione’ or ‘Elevation’) was displayed at the XIX Venice Biennale 1934 and later again at the GDK 1937, room 9. In 1938 his bronze ‘Abwehr’ (‘Defence’ or 'Ripulso') was displayed at the XXI Venice Biennale. Liebermann also completed a bronze bust of Hitler's half-niece Geli Raubal, who had shot herself in Hitler’s apartment in 1931. From this bust Hitler had numerous copies made for display in his residences.  At the Great German Art Exhibitions Ferdinand Liebermann was represented with 16 works, among them the two Hitler busts, the relief 'Wille’ (design for the Freikorps-monument), a bust of Riechsleiter Alfred Rosenberg, Reichsleiter Amann and two 'Kampf' sculptures.  In 1941, the year of his death, he created the massive sculpture for the  Freikorpsdenkmal in Munich. In the possession of the Bayerische Staatsgemäldesammlungen are the following works: 'Eva' (GDK 1939 room 35), 'Abwehr', 'In Erwartung', Frisches Lachen', 'Paolo', 'Rhythmus' and 'Knabe auf einem Waller reitend'. A copy of 'Eva' in bronze (72 cm high) was displayed at the exhibition ‘Kunst im 3. Reich, Dokumente der Unterwerfung’; the exhibition, instigated by the Frankfurter Kunstverein, was held from 1974 to 1975 in Frankfurt, Hamburg, Stuttgart, Ludwigshafen and Wuppertal.

[1Y089/X328] Hibátlan állapotú, biszkvit Herendi porcelán szobor, búcsúzkodó juhászok szobor talapzaton. Alján 30-as évekbeli Herendi kék címeres jelzés, lásd fotó. Mélynyomással: HEREND Talpán a tervező mélynyomott aláírása: PÁSZTOR J. Magasság: 20.5 cm Szélesség: 11 cm Hosszúság: 22.4 cm Súly: 1.025 kg   Magassága: 21 cm Talapzatának mérete: 21,5x9,5 cm    

[2A639/Z008] Hibátlan állapotú, jelzett Herendi porcelán figura, Matyó Madonna szobor talapzaton. Alján kék Herendi jelzés: HEREND HUNGARY HANDPAINTED Mélynyomással: HEREND Karcolt formaszám: 5521 Magasság: 18.2 cm Szélesség: 5.2 cm Hosszúság: 5.5 cm Súly: 0.155 kg

[2A640/Z008] Régi, hibátlan állapotú, jelzett, fehér színű, festetlen Herendi porcelán Beethoven büszt, mellszobor. A talapzaton felirat: BEETHOVEN Alján kék Herendi márkajelzés: HEREND HUNGARY HANDPAINTED Mélynyomással: HEREND Karcolt formaszám: 5951 Magasság: 20.5 cm Szélesség: 14 cm Hosszúság: 12.5 cm Súly: 0.635 kg

[0P022/X198] Hibátlan állapotú, jelzett, talapzaton álló porcelán versenytáncos pár. Alján jelzés: HEUTSCHENREUTHER SELB GERMANY KUNSTABTEILUNG A hölgy mindkét keze restaurált. Magasság: 27.5 cm Szélesség: 26 cm Súly: 0.867 kg "Meisterpaar"  Tervezés: Carl Werner  Modnr.: 1337 Carl Werner született. 6.6.1895 Rudolstadt / Türingia 1910-1914 között a legrégebbi Volkstädter porcelángyárban gyakorlati képzés az apja irányítása alatt.  Miután az első világháborús tanulmány a weimari Művészeti Főiskolán.  Hosszabb tartózkodás Kölnben és Bécsben.  1922-1960 a porcelángyár Lorenz Hutschenreuther művészeti osztályának szobrászművészeként és műszaki igazgatójaként dolgozott.  Az univerzális képi érdekek jellemzik a sok munkát, amelyet Carl Werner készített a Hutschenreuther számára.  Megalapozott tanulmányokat készített az emberi testek mozgásáról és kifejeződéséről.  Carl Werner is hozzájárult ahhoz a tényhez, hogy a Hutschenreuther számok világszerte elismerést szereztek. Forrás: porzellan-sammlung.de/kunstabt6.htm

[0T856/BX-8] Régi, hibátlan állapotú, kézzel festett Herendi porcelán medve figura, mézes csuporral. Alján kék Herendi jelzés: HEREND HUNGARY HANDPAINTED Mélynyomással: HEREND Formaszám: 5342 Magasság: 13.8 cm Szélesség: 9.5 cm Súly: 0.33 kg