[1S015/Z015] Hibátlan állapotú, jelzett Herendi porcelán szobor talapzaton. Nő népviseletben, kezében kendő. Alján kék színű Herendi márkajelzés: HEREND HUNGARY Mélynyomással: HEREND Formaszám: 5403 Magasság: 13 cm Szélesség: 8.5 cm Súly: 0.145 kg

[0T856/BX-8] Régi, hibátlan állapotú, kézzel festett Herendi porcelán medve figura, mézes csuporral. Alján kék Herendi jelzés: HEREND HUNGARY HANDPAINTED Mélynyomással: HEREND Formaszám: 5342 Magasság: 13.8 cm Szélesség: 9.5 cm Súly: 0.33 kg

[0K842/X139] Dec. 8-14-ig minden termékünkre 25% KEDVEZMÉNY Hibátlan állapotú, apró zöld virágmintás, Herendi porcelán süteményes kínálótál. Alján kék Herendi jelzés: HEREND HUNGARY 1941 Mélynyomással: HEREND Formaszám: 436 Szélesség: 15 cm Hosszúság: 36 cm Súly: 0.69 kg

[1R997/Z266] Hibátlan állapotú, Herendi porcelán kínáló tál, tálca. Kézzel festett virágmotívummal díszített. Alján kék ecsetes Herendi jelzés: HEREND Mélynyomással: HEREND Formaszám pirossal: 7738 Szélesség: 14 cm Hosszúság: 18.3 cm Súly: 0.335 kg

[1S054/Z047] Hibátlan állapotú, régi, kézi festéssel díszített Kakas Marci porcelán figura. Alján kék színű I. osztály Herendi márkajelzés: HEREND HUNGARY HANDPAINTED Mélynyomással: HEREND Formaszám: 5458 Magasság: 14.3 cm Szélesség: 6.8 cm Hosszúság: 17.2 cm Súly: 0.245 kg

[1T504/Z040] Régi, hibátlan állapotú, talapzaton álló, szépen kidolgozott porcelán bohóc figura. Ritkán előforduló darab. Alján zöld koronás márkajelzés: ROSENTHAL SELB - BAVARIA Talapzaton formatervező neve: FRED. LIEBERMANN (Ferdinand Liebermann - Sculptor - szobrász, a Rosenthal legfontosabb, legnevesebb tervezője) Magasság: 15 cm Szélesség: 11.5 cm Súly: 0.205 kg   Ferdinand Liebermann Ferdinand Liebermann (1883–1941), the son of a toy manufacturer, was a German sculptor. He studied at the Munich School of Arts and Crafts and the Art Academy. After taking study trips to Rome and Paris, he opened a studio in 1910 in Munich. In the same year he received the Great Austrian Golden State Medal for a small bronze sculpture. Several exhibitions followed. He became one of the most important designers for the porcelain manufacturer Rosenthal AG. Liebermann’s work-spectrum encompasses bronze sculpturing, monumental sculpturing and memorials. In 1926 he received the professor title for monumental and portrait sculpturing in Munich.  After 1933, Liebermann  produced at the orders of the Nazi party 32 busts of Hitler (all 1½ life size), one of which was a commission from the city of Munich for the city hall. In appreciation he was made city councillor of the Capital of the Movement, the 'Haupstadt der Bewegung'. Liebermanns Führerbust was displayed at the XIX Venice Biennale 1934 ('Cancelliere del Reich Adolf Hitler') and also at the GDKs of 1937, 1938 and in the Münchener Kunstausttellungen 1934, 1940 and 1941. It is said that the busts designed by Liebermann were favoured by the German leader over all the others.  His sculpture 'L'Abbandoro' ('Abandoned') was displayed at the XIV Biennale 1924 in Venice; ‘Erhebung’ (‘Elevatione’ or ‘Elevation’) was displayed at the XIX Venice Biennale 1934 and later again at the GDK 1937, room 9. In 1938 his bronze ‘Abwehr’ (‘Defence’ or 'Ripulso') was displayed at the XXI Venice Biennale. Liebermann also completed a bronze bust of Hitler's half-niece Geli Raubal, who had shot herself in Hitler’s apartment in 1931. From this bust Hitler had numerous copies made for display in his residences.  At the Great German Art Exhibitions Ferdinand Liebermann was represented with 16 works, among them the two Hitler busts, the relief 'Wille’ (design for the Freikorps-monument), a bust of Riechsleiter Alfred Rosenberg, Reichsleiter Amann and two 'Kampf' sculptures.  In 1941, the year of his death, he created the massive sculpture for the  Freikorpsdenkmal in Munich. In the possession of the Bayerische Staatsgemäldesammlungen are the following works: 'Eva' (GDK 1939 room 35), 'Abwehr', 'In Erwartung', Frisches Lachen', 'Paolo', 'Rhythmus' and 'Knabe auf einem Waller reitend'. A copy of 'Eva' in bronze (72 cm high) was displayed at the exhibition ‘Kunst im 3. Reich, Dokumente der Unterwerfung’; the exhibition, instigated by the Frankfurter Kunstverein, was held from 1974 to 1975 in Frankfurt, Hamburg, Stuttgart, Ludwigshafen and Wuppertal.Ferdinand Liebermann: Ferdinand Liebermann: (1883–1941), the son of a toy manufacturer, was a German sculptor. He studied at the Munich School of Arts and Crafts and the Art Academy. After taking study trips to Rome and Paris, he opened a studio in 1910 in Munich. In the same year he received the Great Austrian Golden State Medal for a small bronze sculpture. Several exhibitions followed.r He became one of the most important designers for the porcelain manufacturer Rosenthal AG. Liebermann’s work-spectrum encompasses bronze sculpturing, monumental sculpturing and memorials. In 1926 he received the professor title for monumental and portrait sculpturing in Munich.  After 1933, Liebermann  produced at the orders of the Nazi party 32 busts of Hitler (all 1½ life size), one of which was a commission from the city of Munich for the city hall. In appreciation he was made city councillor of the Capital of the Movement, the 'Haupstadt der Bewegung'. Liebermanns Führerbust was displayed at the XIX Venice Biennale 1934 ('Cancelliere del Reich Adolf Hitler') and also at the GDKs of 1937, 1938 and in the Münchener Kunstausttellungen 1934, 1940 and 1941. It is said that the busts designed by Liebermann were favoured by the German leader over all the others.  His sculpture 'L'Abbandoro' ('Abandoned') was displayed at the XIV Biennale 1924 in Venice; ‘Erhebung’ (‘Elevatione’ or ‘Elevation’) was displayed at the XIX Venice Biennale 1934 and later again at the GDK 1937, room 9. In 1938 his bronze ‘Abwehr’ (‘Defence’ or 'Ripulso') was displayed at the XXI Venice Biennale. Liebermann also completed a bronze bust of Hitler's half-niece Geli Raubal, who had shot herself in Hitler’s apartment in 1931. From this bust Hitler had numerous copies made for display in his residences.  At the Great German Art Exhibitions Ferdinand Liebermann was represented with 16 works, among them the two Hitler busts, the relief 'Wille’ (design for the Freikorps-monument), a bust of Riechsleiter Alfred Rosenberg, Reichsleiter Amann and two 'Kampf' sculptures.  In 1941, the year of his death, he created the massive sculpture for the  Freikorpsdenkmal in Munich. In the possession of the Bayerische Staatsgemäldesammlungen are the following works: 'Eva' (GDK 1939 room 35), 'Abwehr', 'In Erwartung', Frisches Lachen', 'Paolo', 'Rhythmus' and 'Knabe auf einem Waller reitend'. A copy of 'Eva' in bronze (72 cm high) was displayed at the exhibition ‘Kunst im 3. Reich, Dokumente der Unterwerfung’; the exhibition, instigated by the Frankfurter Kunstverein, was held from 1974 to 1975 in Frankfurt, Hamburg, Stuttgart, Ludwigshafen and Wuppertal.